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Contents
An Interview with Paul Muldoon conducted by Lynn Keller
James Merrill’s Masks of Eros, Masques of Love by Eric Selinger
“The Ineluctable Modality of the Visible”: Perception and Genre in Samuel Beckett’s Later Drama by Therese Fischer-Seidel
Brian Friel’s Plays and George Steiner’s Linguistics: Translating the Irish by Helen Lojek
“I Write in Tongues”: The Supplement of Voice in Barbara Chase-Riboud’s Sally Hemings by Ashraf H. A. Rushdy
Fragmented Bodies/Selves/Narratives: Margaret Drabble’s Postmodern Turn by Roberta Rubenstein
Reviews
Avant-Gardes and American Poetry by Alan Golding
A Poetics of Its Own Occasion by Paul Mann
Learning to Be Contemporary Somewhere in the Middle of Modernism by John Palattella
Strategizing Pinter and Bond by W. B. Worthen
Accounting for the Play: Fifty Years of American Drama by Howard Pearce
Beneath the Return to the Valley of the Culture Wars by Michael Bérubé
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Contents
An Interview with Marilynne Robinson conducted by Thomas H. Schaub
Nadine Gordimer: Dark Times, Interior Worlds, and the Obscurities of Difference by Dagmar Barnouw
Bruises, Roses: Masochism and the Writing of Kathy Acker by Arthur F. Redding
“Isn’t It Romantic? Angela Carter’s Bloody Revision of the Romantic Aesthetic in “The Erl-King” by Harriet Kramer Linkin
Of Games with the Universe: Preconceptions of Science in Stanislaw Lem’s The Invincible by Peter Swirski
“The Occasion and Contexture of Speech” in Contemporary British Poetry by Patrick Deane
Reviews
“Real Politics” and the Canon Debate by Bruce Robbins
"Emancipatory Predicaments in Postmodern Criticism" by Judith Chambers
“Second Stage”: Toward a (Post)modern Aesthetic of Dramatic Performance by Dawn Dietrich
"Maiden Voyages through Virgin Lands: Mapping Feminism in the World" by Meera Viswanathan
Critical Anthologies of the Plague Years: Responding to AIDS Literature by Lawrence Howe
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Contents
An Interview with Antonio Tabucchi conducted by Anna Botta
Charting J. M. Coetzee’s Middle Voice by Brian Macaskill
Orientations: James Fenton and Indochina by Douglas Kerr
Angela Carter’s Nights at the Circus: An Engaged Feminism via Subversive Postmodern Strategies by Magali Cornier Michael
Revealing “The Torso”: Robert Duncan and the Process of Signifying Male Homosexuality by Greg Hewett
Spd of Snd–Grace of Lt: Joan Retallack’s WESTERN CIV and the “Cultural Logic” of the Postmodern Poem by Alan Devenish
Reviews
The New Larkin and His Proper Ground by Neil Covey
Position Papers: Reading J. M. Coetzee’s Fiction and Criticism by Jeanne Colleran
Foucault’s Perfection by Jacques Lezra
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Contents
An Interview with Thomas Flanagan conducted by Dennis B. Downey
A Tale of Two Parrots: Walcott, Rhys, and the Uses of Colonial Mimicry by Graham Huggan
“We Were Talking Jewish”: Art Spiegelman’s Maus as “Holocaust” Production by Michael Rothberg
Bodies Incorporated: Scenes of Agency Panic in Gravity’s Rainbow by Timothy Melley
Petition, Repetition and “Autobiography”: J. G. Ballard’s Empire of the Sun and The Kindness of Women by Roger Luckhurst
“See Armantrout for an Alternate View”: Narrative and Counternarrative in the Poetry of Rae Armantrout by Michael Leddy
Reviews
Insurmountable Possibilities by Rei Terada
Brutalities of the Vanguard by Jed Rasula
After Such Knowledge, Knowledge Is What You Know by John Palattella
Performing Gender(s) by Michael Vanden Heuvel
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