| no. 1 | no. 2 | no. 3 | no. 4 |
Contents
An Interview with Medbh McGuckian, conducted by Michaela Schrage-Früh (pp. 1-17)
Arkadii Dragomoshchenko, Lyn Hejinian, and the Persistence of Romanticism, by Stephanie Sandler (pp. 18-45)
Diaspora by Bus: Reginald McKnight, Postmodernism, and Transatlantic Subjectivity, by Rolland Murray (pp. 46-77)
The "Saturated Self": Don DeLillo and the Problem of Rogue Capitalism, by Jerry A. Varsava (pp. 78-107)
Missed Encounters: Repetition, Rewriting, and Contemporary Returns to Charles Dickens's Great Expectations, by Ankhi Mukherjee (pp. 108-33)
Postmillennial Victorian Studies, by Priscilla L. Walton (pp. 134-38)
| (Review of Charles Dickens in Cyberspace: The Afterlife of the Nineteenth Century in Postmodern Culture, by Jay Clayton [Oxford, 2003]) |
Aesthetics of Deliberation, Aesthetics of Rapture, by Eric Rothstein (pp. 139-57)
| (Review of The Particulars of Rapture: An Aesthetics of the Affects, by Charles Altieri [Cornell, 2003], and Aesthetic Reason: Artworks and the Deliberative Ethos, by Alan Singer [Pennsylvania, 2003]) |
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Contents
An Interview with Joseph O'Connor, conducted by José Manuel Estévez-Saá (pp. 161–75)
Poems Living with Paintings: Cole Swensen's Ekphrastic Try, by Lynn Keller (pp. 176–212)
"What of the Partition": Dictée's Boundaries and the American Epic, by Josephine Nock-Hee Park (pp. 213–42)
Afrocentric Recolonizations: Gayl Jones's 1990s Fiction, by Casey Clabough (pp. 243–74)
Narrative Subjects Meet Their Limits: John Barth's "Click" and the Remediation of Hypertext, by Laura Shacklelford (pp. 275–310)
Vladimir Nabokov's Ada: Art, Deception, Ethics, by Dana Dragunoiu (pp. 311–39)
When All the Pieces Fail to Fit: The Puzzle of the Postmodern Long Poem, by Brian Reed (pp. 340–45)
| (Review of The Obligation toward the Difficult Whole: Postmodernist Long Poems, by Brian McHale [Alabama, 2004]) |
Rereading Charles Tomlinson, by Michael Hennessy (pp. 346–57)
| (Review of Look with the Ears: Charles Tomlinson's Poetry of Sound, by Richard Swigg [Lang, 2002], and The Poetry of Charles Tomlinson: Border Lines, by Judith P. Saunders [Fairleigh Dickinson, 2003]) |
Postmodernism, Urbanism, and African American Literary Studies, by Daylanne K. English (pp. 358–62)
| (Review of Signs and Cities: Black Literary Postmodernism, by Madhu Dubey [Chicago, 2003]) |
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Contents
An Interview with Pat Barker, conducted by John Brannigan (pp. 367–92)
Lorine Niedecker's "Paean to Place" and Its Fusion Poetics, by Rachel Blau DuPlessis (pp. 393–421)
The "Sixth Emigrant": Traveling Places in the Works of W. G. Sebald, by Christopher C. Gregory-Guider (pp. 422–49)
Informational Inheritance in Kathy Acker's Empire of the Senseless, by Richard House (pp. 450–82)
Don DeLillo's The Body Artist: Performing the Body, Narrating Trauma, by Laura Di Prete (pp. 483–510)
Split Infinities: The Comedy of Performative Identity in Maxine Hong Kingston's Tripmaster Monkey, by Jonna Mackin (pp. 511–34)
Uncontained: New Directions for Cold War Poetics, by Deborah Nelson (pp. 535–40)
| (Review of Guys Like Us: Citing Masculinity in Cold War Poetics, by Michael Davidson [Chicago, 2004]) |
Lucille Clifton: Defining What American Poetry Is, by Cheryl A. Wall (pp. 541–43)
| (Review of Wild Blessings: The Poetry of Lucille Clifton, by Hilary Holladay [Louisiana State, 2004]) |
Kingsley Amis and Martin Amis: The Ironic Inferno of British Satire, by Robert S. Baker (pp. 544–54)
| (Review of Father and Son: Kingsley Amis, Martin Amis, and the British Novel since 1950, by Gavin Keulks [Wisconsin, 2003] |
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Contents
An Interview with Alice McDermott, conducted by Charlie Reilly (pp. 557-78)
The Poetics of Affinity: Lorine Niedecker, William Morris, and the Art of Work, by Elizabeth Willis (pp. 579-603)
Paratext, Citation, and Academic Desire in Ishmael Reed's Mumbo Jumbo, by Beth McCoy (pp. 604-35)
To Send a Shiver through Unitel: Imperial Philosophy and the Resistant Word in Paul Muldoon's "Madoc—A Mystery," by Andrew J. Auge (pp. 636-66)
Jorie Graham and American Poetry, by Kirstin Hotelling Zona (pp. 667-87)
Fictions Public and Private: On Philip Roth, by Robert Chodat (pp. 688-719)
A Heart with Dichotomies, by Elaine M. Kauvar (pp. 720-35)
| (Review of Up Society's Ass, Copper, by Mark Shechner [Wisconsin, 2003], and Philip Roth—Countertexts, Counterlives, by Debra Shostak [South Carolina, 2004]) |
Remembering, Repeating . . . , by Sara Guyer (pp. 736-45)
| (Review of The Holocaust of Texts: Genocide, Literature, and Personification, by Amy Hungerford [Chicago, 2003], and History in Transit: Experience, Identity, Critical Theory, by Dominick LaCapra [Cornell, 2004]) |
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