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The British Women Writers Association
History of the BWWA
--by Pamela Corpron Parker and Cindy LaCom
The Conference
on Eighteenth-and Nineteenth-Century British Women Writers originated in
1991 when a group of graduate students from the Universities of Oregon
and Washington noted and were troubled by the lack of presentations on
women writers during a regional British Studies conference. In between
sessions, we discussed the possibility of organizing a conference focused
solely on women’s writing—particularly those writers who have been historically
overlooked, ignored, or excluded from the canon. By encouraging important
archival work on lesser-known women writers and by inviting divergent critical
approaches to a broad variety of texts, we hoped to expand the range of
critical approaches for both scholars and students, researchers and teachers.
Our desire to revise the conventional canon was matched by our desire to
reconstruct the conventional conference format. We sought to break
down traditional hierarchies by allowing more space for graduate student
voices, an initiative that is closely connected to the critical and pedagogical
work of creating space for historical women to speak.
In focusing
on British women’s literature and culture, we neither imply the existence
of an essentially female literary tradition nor an exclusively white literary
past. Instead, we hope that the focus on Britain will provide a specific
cultural context in which we can investigate a dense and complicated intersection
of colonial and national subjects as well as gender and racial issues.
The eighteenth and nineteenth centuries offer a distinctive period in British
women’s history, starting with the rise of organized feminism, developing
into the feminization of literary culture, and leading into the various
movements of modern, twentieth-century feminism. In exploring the
agency of women in literary history, we hope to encourage the creation
of richer, more complex cultural tradition, incorporating a wide range
of interdisciplinary interests. Likewise, the conjunction of the
eighteenth and nineteenth centuries encourages a re-examination of the
existing constructs of traditional literary historiography, especially
in the ways that women’s literary history tends to break down canonical
divisions between eighteenth-and nineteenth-century culture, such as the
“Augustan” and “Romantic,” and the “Romantic” and “Victorian” periods.
The tenth conference
at the University of Wisconsin continues a fine tradition of diverse, exciting
events. After the first conference at the University of Oregon in
1992, the site rotated to the following institutions:
1993 University of Washington
1994 Michigan State University
1995 University of Notre Dame
1996 University of South Carolina
1997 University of California, Davis
1998 University of North Carolina
1999 University of New Mexico
2001 Kansas University.
The conference will move to Texas Christian
University in 2003 and University of Georgia in 2004, and shows every possibility
of maintaining its tradition as a welcoming, innovating conference.
(Excerpted from the Introduction to Nineteenth-Century
Contexts, Vol. 19 (1996)). |