| no. 1 | no. 2 | no. 3 | no. 4 |
Contents
An Interview with Alan Judd, conducted by Joseph Wiesenfarth (pp. 1-29)
Something from Nothing: The Disontological Poetics of Leslie Scalapino, by Jason Lagapa (pp. 30-61)
Excuses and Other Nonsense: Joan Retallack's "How to Do Things with Words," by Greg Kinzer (pp. 62-90)
André Brink and Malraux, by Isidore Diala (pp. 91-113)
Plotting the Frames of Subjectivity: Identity, Death, and Narrative in Philip Roth's The Human Stain, by Derek Parker Royal (pp. 114-40)
Ugly Feelings, Powerful Sensibilities, by Charles Altieri (pp. 141-47)
| (Review of Ugly Feelings, by Sianne Ngai [Harvard, 2005]) |
Ethics after Auschwitz, by Michael Bernard-Donals (pp. 148-52)
| (Review of Vigilant Memory: Emmanuel Levinas, the Holocaust, and the Unjust Death, by R. Clifton Spargo [Johns Hopkins, 2006]) |
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Contents
An Interview with Iva Pekárková, conducted by Vĕra Eliášová and Simona Fojtová (pp. 155–69)
Carry on, England: Tom Raworth's "West Wind," Intuition, and Neo-Avant-Garde Poetics, by Brian M. Reed (pp. 170–206)
James Merrill's Polyphonic Muse, by Timothy Materer (pp. 207–35)
The Landscapes of Susan Howe's "Thorow," by Jenny L. White (pp. 236–60)
From the Ground Up: The Evolution of the South-West Africa Chapter in Pynchon's V., by Luc Herman and John M. Krafft (pp. 261–288)
Greening English: Recent Introductions to Ecocriticism, by Ursula K. Heise (pp. 289–98)
| (Review of The Future of Environmental Criticism: Environmental Crisis and Literary Imagination, by Lawrence Buell [Blackwell, 2005], and Ecocriticism, by Greg Garrard [Routledge, 2004] ) |
Postsouthern and (Increasingly) Post-Agrarian, by Leigh Anne Duck (pp. 299–303)
| (Review of The Postsouthern Sense of Place in Contemporary Fiction, by Martyn Bone [Louisiana State, 2005] ) |
Reading, Rhythm, and Fascination, by Ed Pavlić (pp. 304–15)
| (Review of Fascinating Rhythm: Reading Jazz in American Writing, by David Yaffe [Princeton, 2005]) |
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Contents
An Interview with A. S. Byatt and Lawrence Norfolk, conducted by Jonathan Walker (pp. 319–42)
Don DeLillo's Latin Mass, by Amy Hungerford (pp. 343–80)
The Sensibility of Postmodern Whiteness in V., or Thomas Pynchon's Identity Problem, by David Witzling (pp. 381–414)
Improvisational Insurrection: The Sound Poetry of Tracie Morris, by Christine Hume (pp. 415–39)
Susan Howe's Art and Poetry, 1968–1974, by Kaplan P. Harris (pp. 440–71)
How Not to Read Closely, by Brian McHale (pp. 472–82)
| (Review of Distant Reading: Performance, Readership, and Consumption in Contemporary Poetry, by Peter Middleton [Alabama, 2005]) |
Ways of Seeing, by Ann Keniston (pp. 483–90)
| (Review of Mastery's End: Travel and Postwar American Poetry, by Jeffrey Gray [Georgia, 2005], and How Poets See the World: The Art of Description in Contemporary Poetry, by Willard Spiegelman [Oxford, 2005]) |
Redeeming Totality, by Loren Glass (pp. 491–96)
| (Review of Utopian Generations: The Political Horizon of Twentieth-Century Literature (Translation/Transnation), by Nicholas Brown [Princeton, 2005] |
Spies and Their Novelists, by William J. Palmer (pp. 497–501)
| (Review of Intrigue: Espionage and Culture, by Allan Hepburn [Yale, 2005]) |
Cannibals and Kitchen Sinks, by Rob Latham (pp. 502–4)
| (Review of Our Cannibals, Ourselves, by Priscilla L. Walton [Illinois, 2004]) |
Discrepant Affinities in Caribbean Poetry: Tradition and Demotic Modernism, by Mark McMorris (pp. 505–22)
| (Review of The Language of Caribbean Poetry: Boundaries of Expression, by Lee M. Jenkins [Florida, 2004]) |
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Special Issue
Immigrant Fictions: Contemporary Literature in an Age of Globalization
Guest Editor: Rebecca L. Walkowitz
Contents
The Location of Literature: The Transnational Book and the Migrant Writer, by Rebecca L. Walkowitz (pp. 527-45)
An Interview with David Peace, conducted by Matthew Hart (pp. 546-69)
Transnational Criticism and Asian Immigrant Literature in the U.S.: Reading Yan Geling's Fusang and Its English Translation, by Wen Jin (pp. 570-600)
Immigrating Fictions: Unfailing Mediation in Dictée and Becoming Madame Mao, by Eric Hayot (pp. 601-35)
A Cab of Her Own: Immigration and Mobility in Iva Pekárková's Gimme the Money, by Věra Eliášová (pp. 636-68)
Exile and Cunning: The Tactical Difficulties of George Lamming, by J. Dillon Brown (pp. 669-94)
Migration and the Politics of Narrative Form: Realism and the Postcolonial Subject in Brick Lane, by Alistair Cormack (pp. 695-721)
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